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Tag Archives: Boy Dancers are Gaining Credibility

Octamom
March  5, 2012

The mother of eight children, she calls herself Octamom. All eight are homeschooled and each child is a piece of eight.

All of our sons have taken dance. I’m a big believer that nothing can match it for brain development and movement organization. And for 5 of 8, it’s his thing. Loves it. Works hard at it. Is thrilled by it

It doesn’t happen too often, but 5 of 8 occasionally has to defend his interest in dance. Sometimes when he’s playing football with the neighborhood kids. Sometimes with friends at birthday parties. Sometimes

It’s a little odd to me that as a culture we went from our superstars being men like Gene Kelly and Fred Astaire to questioning the masculinity of men in dance.

Read the entire post: http://www.octamom.com/2012/03/who-says.html

MUSIC videos and TV talent searches have been given some credit for the growing number of Tasmanian boys taking up dancing.

By Blair Richards
The Mercury
Photograph by Raoul Kockanowski
February 19, 2012


Hobart [Tasmania] dance academies are reporting a surge in the number of boys taking lessons.

Hutchins [School] head of visual and performing arts Michelle Weeding said there had been a change of culture at the highly traditional boys school over the past 10 years, and dance was becoming as much a part of school life as sport.

About 200 boys take part in the dancing program and dance is part of the curriculum for Year 9. “Ten years ago this wouldn’t have been possible,” Mrs Weeding said. “We have really worked hard at changing the culture in our school.”

“The culture in the community has changed, because of the popular dancing shows [on television]. Boys think it’s cool and want to have a go.”

Mrs Weeding said it had been a challenge to shift long-held perceptions that dance was a girls’ activity and that the cool boys played sport. “Those stereotypes about boys who dance aren’t there any more,” she said.

Hutchins dance captain Callum Gugger said being a dancer had made him the target of teasing in the past. However, he said attitudes towards male dancers had improved a lot in recent years.

Hobart Dance Academy principal Ken McSwain, who enjoyed a long and distinguished career as a professional ballet dancer, said the tide had definitely turned.

Mr McSwain said when he began his career dancing was not considered a masculine pursuit. “It came with the tag of being very feminine, but those barriers seem to have broken down,” he said. “When I started, men supposedly didn’t dance.”

“With all the video clips you see these days, it’s becoming much more acceptable.”

Jenina Evans, who has produced a number of top dancers at her Hobart dance school, said in recent years there had been a steep rise in the number of boys enrolling. “Years ago you would have 15 dance groups, with only five boys spread amongst them. Now we’ve got a boy in every group, and in a couple of my older groups we have at least six boys,” she said.

Mrs Evans also attributed the popularity of dance among boys to programs like So You Think You Can Dance.

“And lets face it when they get older, girls love a guy who can dance,” Mrs Evans said.

© 2011 Davies Brothers Pty Ltd.

Ballet for Boys Only classes at Sudbrook Centre for the Arts challenge stereotypes

By Janene Holzberg
Photograph by Jen Rynda
The Baltimore Sun
December 07, 2011

Photo Gallery

Dressed in footless black tights and ballet shoes, the students could be dancing in any studio. But this one’s different than most: The pupils are all boys enrolled in Ballet for Boys Only, a new offering this year for Baltimore County students at Sudbrook Magnet Middle School, located off Bedford Road in Pikesville.

The twice-weekly class was made possible, in part, by a $10,000 matching grant from the National Endowment of the Arts to the Baltimore County Youth Ballet, said Laura Dolid, a Reisterstown resident and the ballet company’s co-founder and artistic director.

Nine county public schools students were awarded full-tuition scholarships to the ballet program, which is coordinated by the Greater Pikesville Recreation Council and runs from September to May.

“This course will ultimately focus on the physical strength, power, and brilliance of male dancing,” said Dolid, who held auditions for the scholarships and chose recipients based on desire, musicality and parental enthusiasm.

At the same time, it will increase the agility, coordination and strength required in sports, said the director, who is on the faculty at Sudbrook Arts Centre, Goucher College and Peabody Preparatory. Fox, who lives in Columbia, teaches two sessions back-to-back, one for students ages 11 to 14 and the other for ages 8 to 10.

“Boys’ practice includes push-ups and pulls-ups to become strong enough to lift the girls,” she said. “Men’s upper body strength and flexibility are two important skills needed to pull off complex choreography.”

At no time was the absence of girls more obvious during a recent class than when Fox sent the three boys, ages 13 and 14, scurrying to the floor to attempt a split, a maneuver which is usually easier for female dancers.

“Guys, we gotta try,” Fox implored. And they did, pouring themselves into it with varying degrees of success. Now doesn’t that feel great?” he joked, drawing a nod from one of the boys. “What — you like it? You must be kidding me!”

 

Heavy lifting

Fox is intimately familiar with what he’s demanding from the older boys. He performed with the New York City Ballet and elsewhere for many years before becoming an instructor. Aside from Sudbrook, he also is currently teaching at the Washington School of Ballet and the Maryland Youth Ballet and is an adjunct professor at Goucher College.

“We choose boys with the physical ability and the attitude to deserve a place in the room,” Fox said. “I don’t care if they become professional ballet dancers; I do care that they learn respect for ballet.”

Trés McMichael, a ninth-grader at George Washington Carver Center for Arts and Technology, said the class is “very hard” and students have to “stretch, practice and eat right” in order to be prepared for the workout they receive in class.

But, that’s seems like a very small price to pay to Trés — who also acts, sings and plays tenor sax, and envisions himself on Broadway someday.

“Mrs. Dolid runs a tight ship, which a successful program like this needs, and Mr. Tim puts the boys through a good combination of dance and physical training,” said Trés’ father, Calvin McMichael. “I knew that dance was very demanding, but I never realized how much technique and strength it takes to lift even the smallest dancers in the air.

“The scholarship allows Trés to explore another avenue of performing arts that he may not have had the opportunity to experience.”

As the boys practice, Fox is right there to correct flaws in technique or form. But he also assumes a coach’s role during class, encouraging the older boys to complete sets of rigorous push-ups and chin-ups that bring to a close a demanding hour-long session.

“Don’t give up,” Fox cheered as the boys’ arms shook while they took turns grasping the bar and raising themselves up time and again during class. “Control it on the way down — that’s when you’ll feel the burn.”

 

Stigmas gone

Scott Osbourne, an eighth-grader at Sudbrook and an Owings Mills resident, has been studying ballet for three years and hopes to someday join the New York City Ballet. But he also runs track, epitomizing the athletic crossover between dance and sports that Fox often sees.

“I started dance lessons as a kid to help with baseball,” recalled Fox, who grew up in the small town of Jenks, Okla., “where, believe me, kids weren’t taking ballet. Dance taught me so much, like how to be disciplined and how to be in a room and not be talking,” he said, recalling his own rambunctious class-clown approach to school. “Discipline helps kids learn to learn.”

Monica Osbourne said her son has thrived under the program.

“When people think of ballet they automatically think of girls, but there are young boys who love ballet and who are just as good as the girls,” she said. “I am thankful for this program for giving my son the opportunity to do what he loves.”

Tamisha Bell, whose son is Sudbrook eighth-grader Damontae Hack, agrees. “Since starting dance, Damontae has become more efficient with his movements and his confidence has grown,” she said, adding that he will be auditioning for the dance magnet at Carver Center for Arts and Technology in January. A cello player who also enjoys acting, he’s set a goal of joining the Alvin Ailey American Dance Theater in New York.

While stereotypes about boys as dancers have been changing for a long time, Fox said, television programs like “Dancing with the Stars” continue to reinforce newer, open-minded attitudes.

“Ballet, in particular, can be misunderstood,” he said. “But people who are very good at what they do — whether they’re in sports, entertainment or whatever — are very coordinated.”

Brian Friedlander, president of the Greater Pikesville Recreation Council, said the old stigmas are gone. “When I came up in the 1970s, boys may have concealed an interest in dancing,” he said. “Now, the walls have been knocked down. When you see a phenomenal running back like Emmitt Smith of the Dallas Cowboys dancing on TV, you know people wear this (talent) as a badge of honor.”

While Friedlander said he’s proud that the recreation council offers such diverse and affordable programs as boys’ ballet, he gives all the credit to Dolid, whom he says is “highly regarded in dance circles.”

“It’s an honor to be in this program and I work to get that across,” Fox said, adding he expects next year’s auditions to be even tougher. “Ballet is incredibly hard; good dancers just make it look really, really easy.”

The Baltimore County Youth Ballet will present its 20th annual production of “The Nutcracker Suite” on Sat., Dec. 17 at 7:30 p.m. and Sun., Dec. 18 at 3 p.m. at the Peggy and Yale Gordon Center for the Performing Arts, 3506 Gwynnbrook Ave. in Owings Mills.

Students from the Ballet for Boys Only classes will participate in the show, which has a cast of young professionals and is geared toward children. Laura Dolid is staging and directing the production, which will also offer special matinees and pricing for school groups on Friday, Dec. 16. All tickets are reserved seating and cost $15. For more information, go to baltimorecountyyouthballet.com.

Copyright © 2011, The Baltimore Sun

By Bob Keyes
Photograph by C.C. Church
The Portland Press Herald
March 20, 2011

 

FALMOUTH — Two things that sometimes don’t mix: teenage boys and ballet.

It’s time to throw that stereotype out the window. Teenage boys have starring roles in the Maine State Ballet production of Tchaikovsky’s “Sleeping Beauty.”

Maine State Ballet will present the classical dance piece in three acts, with a running time of just over two hours, over three weekends through April 10 at its theater in Falmouth.

It’s a huge undertaking and could not be done well without a solid male presence, said artistic director Linda Mac- Arthur Miele. “To have four talented, dependable young men who just happen to be the same size and shape is a gift. They may be young, but they are extremely smart, extremely confident, and they work extremely hard,” she said in a statement. “They all know what they have to do, and they do it. This ballet rests on their shoulders, literally.”

“Sleeping Beauty” tells the story of Princess Aurora, who is cursed by an evil fairy to die on her 16th birthday. The Lilac Fairy cannot undo the evil fairy’s spell, but she is able to change it. Instead of dying, Princess Aurora falls asleep for 100 years and is awakened by a kiss.

The ballet demands a strong and deep cast. Maine State Ballet’s production has a cast of 60, with some dancers performing multiple roles. The young men are pulling triple-duty. Each is a Cavalier in the famous Rose Adagio, a hunter and a fairy-tale character in the Act Three Wedding.

Maiki Saito of Scarborough is the youngest at 14. He started dancing at age 7, and has been featured in many Maine State Ballet productions, including Fritz in “The Nutcracker.”

Boomer Druchniak, 16, of Standish filled in as a party boy in “The Nutcracker” for two years before formally studying ballet. He has been dancing three years.

Company member Nathaniel Dombek, 16, of Gorham has been dancing for six years.

Company member Michael Holden, 16, of Falmouth is the veteran of the group. He has been dancing at Maine State Ballet since age 3, when he made his debut as a reindeer in “The Nutcracker.” Since then, he has played numerous parts, including the mischievous Puck in “A Midsummer Night’s Dream.”

“My parents enrolled me at Maine State Ballet as a birthday present,” said Holden, who described dancing as a “very personal and individual, if you make it that way. It’s fun, because you get to play around with the music. It’s just fun. I’ve been dancing since I could walk, which is why my parents signed me up.”

Dombek’s entree into dance came through his interest in theater. “A few of my friends at school were dancers here at Maine State, and they kind of introduced me to it,” he said. “My whole family has danced, so it’s in the family. I liked it a lot from the beginning. I love performing, and dancing keeps me fit. So I can perform and stay healthy at the same time.”

Principal dancer Glenn Davis, who has been a dancer and a teacher at Maine State Ballet for 20 years, said he was pleased to see the young men he has mentored grow into mature roles. “These young men now have the strength and experience to take on more partnering and solo roles, which is exactly what ‘Sleeping Beauty’ requires,” he said in a statement. “To be able to do this show at this time is a testament to the depth and maturity of our company.”

 

Copyright ©2011 MaineToday Media, Inc.

ABC News, Australia
March 19, 2011

 

The growing popularity of male dance leads to another sell-out education program organized by the Australian Ballet.

View Video

 

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Classes focus on athleticism, fun of dance.

 

By Neal Simpson
Brookline patch
June 24, 2010

 

After karate, swimming and the family vacation, there’s something seemingly out of place in this little boy’s summer itinerary – ballet.

Actually, it’ll be the second set of dance classes for John-Paul Frank, an energetic 7-year-old barely taller than the barres used for warm-up exercises at the Brookline Ballet School, where John-Paul and six other boys – all only a few years older – have received an introduction to the dance this spring.

The boys-only classes, somewhat unusual in the world of ballet, have been a major selling point for the school since it opened in January and a special interest for Parren Ballard, a retired professional dancer who taught with the Boston Ballet before opening the Brookline school with his wife, also a dancer, and another couple from nearby Washington Square.

Though he teaches a variety of classes at the school – including some aimed a professional dancers – it’s the boys classes that get Ballard most excited. A former child athlete who was turned on to ballet after a class field trip, Ballard is now on a mission to get young boys interested in the athleticism of the art before it’s too late.

“There’s a window in which you need to get in, otherwise it closes,” he said. “Flexibility is a big issue – if they wait until they’re 13, 14, 15 and try to pursue it seriously, it’s close to being too late. It’s something that that needs to happen around that 10- to 12-year-old range when the body is still developing, you can still work on the flexibility and the coordination.”

The problem, Ballard said, is that most ballet schools approach young boys – the ones in his class range in age from 7 to 12 – the same way they do young girls, with tedious exercises that are repeated until perfected, and then repeated again. Some, like Brookline’s Jean Paige School of Dance, don’t offer instruction for boys at all, while others, like the Brookline Academy of Dance, keeps boys and girls together.

Ballard admits to practicing an “unorthodox” approach to keeping his students engaged, and it basically boils down to letting boy be boys. Instead of hammering away at technique and form, he gets his squirming, giggling dancers off the barre as soon as possible and puts them to work on the fun stuff: leaping over piano benches, spinning in pirouettes and even jamming on the air guitar.

Except for the skin-tight white shirts and black leggings, the boys often look more like they’re engaged in a recess game of follow-the-leader than ballet instruction. A few approach the exercises with solemn seriousness, but most are giggling, squirming and hopping around impatiently between instructions.

Parren uncorks that energy by breaking the rules completely, occasionally allowing the boys to dance along to the music however they like, which often involves a lot of goofy improvisation and air guitar

“They’re floppy, they’re messy, but we don’t care,” he said. “We’re just enjoying the movement, the freedom that’s allowed.”

But that doesn’t mean the class is all playground sessions. During barre work and exercises, Ballard carefully adjusts the boys postures, gently chides them when they misbehave (“We don’t play ballet, we do the real thing”) and teaches them the French terms for the movements that are the building blocks for the ballet catalog.

And he’s eager to move the boys toward more serious training once they’re ready. Two of his oldest boys are moving into a classes with girl dancers – a big step – next fall.

On the boys part, there seems to be little recognition of the potential stigma against men in ballet. Most of the boys in Ballards class just see it as another activity, no different than the many other sports and hobbies that fill their days. For them, it’s just fun.

“My younger sister takes ballet and I saw how much fun she was having,” said Christian Pforr, one of the two most advanced boys in the class. “I heard they were starting a boys class so I joined.”

And Ballard said that’s exactly how these boys should think of ballet – for now, at least.

“At some point, if they’re going to pursue it seriously they have to eliminate some activities and focus on fewer,” he said. “But at the point they are I’m glad it’s just another thing they’re doing.”

 

 

Copyright © 2010 Patch