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Isobel Leybold-Johnson
January 29,2010


Among the young dancers warming up for the Prix de Lausanne ballet competition, you may be surprised to see – for the very first time – more boys than girls.

Another first this year is the fact that two Swiss have been selected for the prestigious competition, evidence that the home dance scene is taking a leap forward.

It is a hive of activity in the warm up area of Beaulieu Theatre in Lausanne, where the competition is taking place. The older girls have just finished their contemporary class, and the boys are warming up – with great jumps and long stretches of limbs.

In all, 70 dancers from all over the world and aged between 15 and 18, have gathered in Lausanne for the week-long Prix, which started on Monday. This year sees more boys – 36 to the girls’ 34 – taking part for the very first time in the event’s 38-year history.


“At the end of the selection round last October it was a total surprise to us to see that the results of the calculations were that there would be more boys than girls,” Patricia Leroy, the Prix de Lausanne’s Secretary General, told “We don’t really know if there is any particular reason for that, we’ll have to wait a few more years to discover if this is a trend or just a coincidence. But it is wonderful.”


Billy Elliot effect?

Among those warming up is Lewis Turner, aged 17, who is training at the Elmhurst School for Dance, which is associated with the Birmingham Royal Ballet. He sees the higher turnout of boys as a positive sign. “I think it can only be a good thing for the art form, if that’s a representation that more boys are getting involved with ballet and dance,” he said.

“I read somewhere that it’s the Billy Elliot trend coming through, I don’t know whether that can be said or not, but if so, it can only be good,” Turner added, referring to the British film in which a boy from a mining village lives his dream of becoming a ballet dancer.

One boy who is particularly happy to be at the competition is 18-year-old Philip Handschin from Basel, who is one of two Swiss hopefuls at the Prix – the other being Alexandra Valavanis, 15, from Zurich. “I’m excited to be here, a lot of people, good staff,” he told


Swiss boost

His Prix video blog shows how he has been enjoying the contemporary classes, which are held along with classical lessons and dress rehearsals in the run-up to Sunday’s final. But the Beaulieu Theatre’s slightly slanted stage did take a bit of getting used to, he said.

Leroy said that the presence of the two Swiss – Handschin is at the Basel Theatre Ballet School and Valavanis at the Zurich Opera House’s ballet school – would give a boost to Swiss dancing. “There are very good ballet schools in Switzerland, but sometimes the infrastructure did not allow those schools to give such a complete education as the Prix de Lausanne partner schools do,” she said. “This is a very good sign that conditions for training and dancing in Switzerland are really improving.”



The Prix de Lausanne is different from other competitions, Leroy explained, because it rewards potential rather than present accomplishment. For this reason, the judges sit in on classes and practice during the week, to help them select the finalists.

In all, 20 candidates are selected for the final, dancing two variations – one classical and one specially-devised contemporary. Winners receive scholarships to join renowned partner ballet schools or gain an apprenticeship to companies such as the Hamburg Ballet John Neumeier or the Birmingham Royal Ballet.

This can act as a springboard for an international career. Big name winners of the past include the Royal Ballet’s Carlos Acosta and Alina Cojocaru. Even those who don’t make the final benefit from the exposure they have at the Prix, added Leroy.

There is much excitement, and a few nerves, among the young dancers. Whether concentrating in class or relaxing after a session – feet clad in moonboot-like shoes to keep these important dancing instruments warm – their passion for the art is clear. All spend six days a week training, with only Sunday free.


Ballet passion

Caitlin Stawaruk, 18, from Australia, studies at the Zurich Dance Academy. “The more I do ballet, the more challenges it gives me and when you succeed in a challenge it’s a really great feeling,” she told

Stawaruk hopes to dance in a company one day and “perform for my family and friends, show them why I’ve been away from home for so long and show everyone what I love to do”.

Her fellow academy dancer, the Japanese Aya Baba, also 18, would like to stay in Europe, a dream shared by many of her compatriot dancers – who, numbering 16, make up the largest country contingent. “I like being here… in Europe more people like to see dance than in Japan,” she said.

For his part, the young Englishman Turner says ballet is a way of expressing his joy, feelings and the music. One day he hopes, as many, to be a principal dancer – essentially a ballet company’s star –although he knows that not everyone can make it in the tough dance world. “But just the buzz of the stage, I think that’s what everyone craves, so just being on stage is always going to create that experience for everyone.”



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