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By Kate Stenhouse
The Nottingham Post
May 7, 2013

William Smith, 11 has won a place at Northern Ballet Academyl after dancing for only six Months 2013

[Nottingham, England] – A schoolboy who was bullied about his dancing has won a place at a prestigious dance school – after only six months of training and without taking a single exam.

William Smith, 11, of West Bridgford, had never set foot in a ballet studio before last September but will start training at the Northern Ballet Academy at the start of the next school year.

His course will be part of the academy’s Centre for Advanced Training’s professional division, which prepares children to go on to full-time vocational training at other schools.

Mum Helen Smith said: “We’ve got to drive all the way up to Leeds three or four time a week to go to those classes but it’s a sacrifice that I’m willing to make. He was bullied at school and I had to take him out of mainstream schooling.

“This has given him a lot of confidence.”

William is following in family footsteps. His mum was a professional dancer and still taught dance until recently, older brothers Alex and Henry were competitive gymnasts and older sister Juliet was involved in rhythmic gymnastics.

Ms Smith said: “My eldest three children could do backflips before they could ride tricycles. I think one of William’s biggest inspirations was watching his sister dance but he has always been quite captivated by ballet. We’d always said that he had got really lovely, long legs, and we’d say to him, ‘oh William, you’ve got dancer’s legs!’”

William attends Rollini School of Dance, in West Bridgford. Teacher Lesley Rollini said: “He’s a pleasure to teach. He’s a very hard-working young man and he’s going to do very well. He’s going to be doing around 22 hours a week of training with the classes there and the ones he does with me as well. He’s going to be one tired little boy but it’s an amazing opportunity for him.”

William, who wants to go on to full-time dance school, said: “I just love dancing. When I saw it, I just thought ‘I want to do that, it looks really amazing’.”

The academy has won a number of prestigious awards, including the Audience Award for its ballets three consecutive times.

William’s training will be Government-funded.

Academy programmes manager Faye Cardwell said: “He has great ability, showed loads of potential and picked things up really quickly, and even though he hasn’t danced for long, we recognised that he really did have raw talent.”

Copyright © 2013 Local World

By Phoebe Wearne
Photograph by Michael O’Brien
The West Australian
May 8, 2013

Jacob Noble, left, Kristopher Bradford , Noah Beck , Aiden Foster and at front Harvey and Toby Mulcahy (Picture by Michael O'Brien) 2013

[North Perth, Australia] – Kristopher Bradford is just as comfortable performing in tights under the dazzling lights of centre stage as he is on the rugby field. When the 18-year-old dancer from Mandurah started ballet 13 years ago, there were just three boys at his ballet school. Now he is the oldest of five males over the age of 14 studying at the Charlesworth Ballet Institute in North Perth, all of whom hope to carve out a career as ballet dancers.

In August, he will move to Germany to take up a position at a ballet school in Mannheim after he was offered a place during a tour of Europe.

He said he had never let the stereotypes associated with ballet bother him. “I listen to heavy metal,” he said. “I played rugby in school. I rode motorbikes for years. I did have occasional trouble with my friends at school but a game of football or rugby sorted them out.”

Institute director Sonya Shepherd said the number of boys at the school had at least doubled in the past decade. Ms Shepherd said while the film Billy Elliot came out in 2000, it and other dance movies were still having a positive impact on perceptions.

She said a recognition of ballet as a foundation for any dance style had also contributed to a steady growth in the number of boys involved. “The word is out if you do classical ballet, you can do anything,” she said.

WA Academy of Performing Arts classical ballet co-ordinator Kim McCarthy, who studied dance in Perth in the 1980s, said males now accounted for about a third of students and came from all walks of life. “In the 80s bullying was rife for male dancers,” he said. “But with dance courses becoming a part of most high schools, it is becoming more acceptable for boys to dance.”

Copyright 2013West Australian Newspapers Limited

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Tag: Ballet is Attracting More Boys

By Michael Benke
The Swindon Advertiser
May 2, 2013

Jacob O’Connell, 15, a student on the Swindon Dance Youth Dance Academy Contemporary Programme, has won a place at Rambert  2013[Swindon, England] – Years of dedication and hard work have paid off for teenager Jacob O’Connell after he secured a place at a world renowned dance school.

Jacob, 15, of Covingham, who has been a member of Swindon Dance academy’s developmental programme since the age of 11, will begin at the prestigious Rambert School of Ballet and Contemporary Dance in London in September.

He said: “I’m really chuffed to have been accepted as I’ve put in a lot of hard work. I started classical training in year 10 and always had Rambert in mind so I’m pleased to have achieved my goal.

“I really want to thank everyone at Swindon Dance who have really helped me so much.”

It has taken years of dedication to reach such a high level, which has involved juggling practicing with studies but Jacob believes it is all worth it. “I do several hours of practice a week after school, so at times it is a struggle to do everything but I manage,” he said.

The audition process included several hours of classes, a performance and then an interview before Jacob endured a nerve-wracking 10 days waiting to hear the outcome. “I was waiting on the postman everyday. It was such a relief to find out that I’d made it,” he said.

Teachers at Swindon Dance have expressed their pride in Jacob’s impressive achievement. “It’s a great achievement and we’re all very proud of him,” said Sarah Ferris, co-ordinator of contemporary dance at Swindon Dance. “Rambert get lots of applications from Europe and all over the world, so demand is very high.

“There are only a handful of places on offer so for Jacob to make it is a remarkable achievement.”

Jacob, a pupil at Dorcan Academy, turns 16 just a month before he is due to start which will make him one of the youngest students at the college. Upon completion of his intensive three year course he will gain a foundation degree in dance.

As someone who has coached Jacob for a number a years, Sarah believes he is fully deserving of his place. “He has put in a lot hours to get into Rambert. Not only does he have the skill required to be successful but also the right attitude,” she said.

“It is a fantastic story of someone with dedication achieving their life-long ambition.”

© Copyright 2001-2013 Newsquest

By Arianna Prothero
WLRN, Miami
May 3, 2013

Miami City Ballet School (photo by Bruce Hibbs)

[Miami Beach, Florida, USA] – If you ask someone to name a valuable commodity, they may say gold, or oil. Ask someone in ballet the same question, and there’s good chance they’ll say boys.

Most ballets have almost equal part male and female roles. But in the U.S., boys who want to do ballet are hard to come by. For that reason boys often receive full scholarships to ballet schools and other forms of special treatment in order to attract them to the profession.

Former principal dancer with New York City Ballet Philip Neal was one of those boys. “I always joked, it would be 30 girls in a line with one little boy tap dancing on the end,” remembers Neal of his early dancing days in Richmond, Virginia. “Even at the School of American Ballet where I was on staff up until quite recently, the boys program up to a certain age was all scholarship to attract enough boys. It wasn’t even merit based, just pure scholarship.”

Philip Neal teaches both students and company members on top of being Miami City Ballet's liaison in Palm BeachNeal, who now works at Miami City Ballet, admits it’s a lot harder for a girl of equal ability to get money for her dance training. Miami City Ballet School Director Darleen Callaghan explains that offering free classes to male students is as much for parents as it is for their sons. “You have to open the door for them so they take the chance,” said Callaghan. “If you offer a scholarship, families are more willing to let them try it.”

Even though the ballet field is flush with women, it’s generally men who become choreographers and artistic directors.

 

Glass Escalator

This phenomenon, where men quickly rise to the top of female dominated professions, is called the glass escalator. University of Texas at Austin Sociology Chair Christine Williams coined the term and says it’s basically the opposite of the glass ceiling effect.

“So, instead of suffering from a wage gap they often receive a wage premium for men even though they’re working in jobs that are predominately female,” said Williams who has been studying gender inequality in the workplace for decades.

She says for women in ballet to make it into a top company, they may have to be the best dancer out of hundreds of others.

“And is that also the case for men? Probably not. I think that for a lot of men there are certainly examples of outstanding talent, but it’s almost like there’s affirmative action in place for men in these positions.”

However, as cushy as ballet might sound right now if you’re a guy, Neal says devoting your life to the art form is a double-edged sword. Growing up in a private, all boys school in Virginia, Neal had to deal with a lot of teasing.

“In one hand you have a great opportunity by being the boy and having less competition than the girls do,” said Neal. “But what you have to go through in your real life is not easy.”

Whatever the tradeoff, the school’s recruitment efforts seem to be working. Miami City Ballet School enrolled more boys at the beginning of this season than ever before.

©2013 WLRN

By Tony Omer
The Martha Vinyard Times
April 25, 2013

Devon Lodge dances at a Juilliard School dance performance in early April (Photo courtesy of Juilliard School) 2013[Martha’s Vineyard, Massachusetts, USA] – To watch Devon Lodge dance is like watching the ocean. He moves with the fluidity and balance of a rolling wave about to break on the beach. Maybe it’s the result of his exposure to the beaches of the Vineyard. Maybe it’s the expertise the Oak Buffs native developed since he began dancing at age three.

Whatever it is, the second year dance student at The Juilliard School is one of six student dancers chosen to participate in Canada’s National Ballet School’s (NBS) Assemblee Internationale 2013 (AI13) in Toronto from April 28 to May 4. The group will represent Juilliard and will present the school’s alumna Julia Eichten’s dance piece, “Phases of Strobes.”

AI13 brings together students and artistic staff from 18 international professional ballet schools for seven days of intensive classes, performances, forums, and professional development. Students from participating schools will perform both a piece of existing repertoire as well as student-created choreography, which will be performed by a cast of students from each of the schools.

The AI13 also includes an innovative live-streaming project that explores the use of new technologies in dance. The live-streaming project, as well as several other AI13 performances and student classes, will be shown live on nbs-enb.ca/ai13/.

Growing up a dancer

Mr. Lodge said that he knew he wanted to be a dancer since he was a child. He began dancing with Laura Sargent Hall’s school for younger kids on the Vineyard.

“At the age of six or seven I started taking more and more classes. I would go to school at the Oak Bluffs school and go straight to dance at 2 pm and come home about eight every night,” he said.

He said that in spite of his dancing prowess, he has never been much of an athlete. He played baseball for a while when he was younger, but he said he spent most of that time on the bench daydreaming. Neither of his two older brothers dance, but they sail a lot, he said. His mother, Karen Lodge, manages LeRoux at Home in Vineyard Haven and his dad, James Lodge, is a Steamship Authority boat captain.

While in grade school he studied at the Martha’s Vineyard School of Ballet with Beth Vages and Lori Cunningham. During his middle school years he danced with the Martha’s Vineyard Dance Theater and performed in “The Nutcracker” and in Built on Stilts, an Island summer dance festival.

“Lori Cunningham first suggested that I pursue dance off Island,” he said. It was soon after that he left home for the first time when he was 13 to attend the Nutmeg Conservatory in Connecticut, a renowned New England professional ballet training organization, for a summer.

He spent his high school years on a full scholarship at the Walnut Hill School for the Arts in Natick where he majored in ballet. “They not only had an incredible dance program, it was a really good high school. I got a good well-rounded education,” he said. There were about 80 students in the dance program. “We danced every day from 2 until 8 pm, after our classes.”

He applied to several colleges all of which had good dance programs, but was unsure about whether he should dance professionally or continue his education when he auditioned for a spot in the prestigious Juilliard dance program in New York City.

He knew very little about Juilliard before the first week of his freshman year, he said, and had never visited the school before his audition. After his initial experience at Juilliard he said he knew it was the right place for him. “I really liked the atmosphere at Juilliard,” he said. “Juilliard was where I needed to go.”

Somewhere between 400 and 600 accomplished dancers are invited each year to audition at the school after making the first application cut. After a day-long series of classes and dances, the group is reduced to about 60 for the final auditions. By the end of the day the 24 spots are filled, 12 boys and 12 girls.

His schedule there is similar to the schedule he has maintained since his grade school days. He often has classes six days a week. Most mornings are taken up with arts oriented academic classes. His afternoons and evenings are all dance. He said he spends about 50 hours a week in classes.

He works with some of the most gifted choreographers and dancers in the world at Juilliard and in the other programs, but he hasn’t been overwhelmed. “I rarely get intimidated,” he said. “I have very strong opinions, and I just go with the flow.

“I remember movement in a very different way than most people, I think. It really doesn’t get stored in my brain as well as it does in my body. You learn how you learn when you work with new choreographers.”

Mr. Lodge said he has never liked competition at all. “I strive to be the best for my own sake, for the feeling of it. It is then that you lose all sense of competition and you are just doing it for yourself. “

He said that the movement toward competition dancing produces flashy performances that are not as nuanced as pieces that dancers spend more time developing. “I try to investigate every aspect of the choreography and produce a whole, rounded dance rather than something I’m flashing at the audience quickly,” he said. “It becomes much more fulfilling. Then I can really live in the movement rather than put it on top of myself.

“I think I don’t have a body like most other men my age. My limbs are very long and I think I am more ethereal and creature-like than human-like,” he said with a laugh. “Some choreographers really like that and some don’t.”

Mr. Lodge is often involved in multiple shows in addition to class. The 20-year-old often has classes or film shoots on weekends. It’s not all school all the time though. Saturdays he works the front desk at a yoga studio. He said he does a lot of yoga when he’s not dancing. His mother says the yoga helps keep him grounded.

Mr. Lodge was selected to perform at the Springboard Danse Montréal (SBDM) in June. SBDM aids the professional dancer by providing the skills necessary to transition between school and a first job by exposing dancers to a network of professional peers.

He will dance this summer with a professional company in New York. But he hopes to spend a week or so on the Vineyard dancing with his old friends at Built on Stilts — and at the beach.

Copyright 2013 The Martha’s Vineyard Times

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by Catherine Jones
Liverpool Echo
April 8, 2013

Liam Mower in rehearsals for Matthew Bourne's Sleeping Beauty (Photo by Mikah Smilie) 2013[Liverpool, England] – At the end of Billy Elliot, the adult Billy gets to dance the leading role in Matthew Bourne’s iconic version of Swan Lake.

And it could be a case of life imitating art one day, certainly if Liam Mower – stage’s most celebrated Billy – has a say. “Of course Swan Lake is the one I’d absolutely love to do,” he admits. “There are many productions I’d like to be a part of, and I think every male dancer really wants to do Swan Lake because it’s amazing.”

The former boy dancer has got off to a flying start on the path to fulfilling that ambition at least, joining Bourne’s New Adventures company straight out of the prestigious Rambert School of Ballet.

The 20-year-old had long been a fan of the choreographer, having seen his acclaimed male reworking of the Tchaikovsky and Pepita classic when he was “still pretty much a kid”.

When he was in his third year at college the chance to audition came up and he leapt at it – although strangely, he for one seemed surprised when he was offered a place. “It was a massive audition,” Liam recalls. “And going in, I was like ‘I don’t think I stand a chance. There are a lot of people here and I don’t even know how they’re going to see most of them’.

“So I was quite shocked, and obviously amazed, when I got an email from Matt to say they had a contract to offer me.” His first role was as Cupid in Nutcracker! which came to the Empire last spring.

Liam Mower in Matthew Bourne's Sleeping Beauty ( Photo, Dance Europe) 2013Now he’s on his way back to Liverpool in Sleeping Beauty, Bourne’s gothic-visioned reimagining of the ballet, alternating the roles of Tantrum fairy and Lilac, king of the fairies.

“Tantrum is more of an ensemble role,” he explains. “The show is spread over four acts and in each act Tantrum plays a specifically different character – a fairy, then a garden party guest, a sleepwalker and then a wedding guest.

“Whereas Lilac stays Lilac throughout.”

The action starts in 1890 – the year the ballet was created, moving through the Edwardian era to modern day when Aurora wakes from her 100 year slumber.

“You have all these vampiric ideas which change the whole aspect of the story which is really fun,” smiles Liam.

There was a time when perhaps, you sense, dance stopped being ‘fun’ for the talented young performer.

The third of four boys, Liam started dancing at nine and was a border at the Royal Ballet School when he won one of the coveted roles of Billy Elliot in the original West End production, scooping a joint Olivier award for his performance. But the gruelling challenge of juggling school and stage appearances took its toll, and once he finished his stint in the show he quit his studies and went home to Hull.

“I don’t think I’d change anything about the decisions I made,” Liam says. “It was all too much. I was performing at night, getting back to school about 11-11.30pm and then I’d have to be up with the rest of the kids at 6.30am. I’d go to academic school, then have ballet classes in the afternoon, then go into town and do the show at night.”

Fourteen GCSEs, and a first class honours degree from Rambert later, everything in the garden is rosy. Or possibly lilac. “When I was a kid I always knew this was going to be my job,” he beams.

© 2013  Trinity Mirror North West & North Wales Limited

Related Article: Liam Mower returns to West End for latest role in Sleeping Beauty